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Tom Oakes - Water Street

by Tom Oakes

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The Constant Lovers - Trad English As I was a walking down by the sea shore, Where the wind and the waves and the billows did roar, There I heard a strange voice make a sorrowful sound, 'Twas the wind and the waves and the echoes all round. Chorus (after each verse): Crying, “Oh, my lover's gone, He's a youth I adore, He's gone and I never shall see him no more.” She'd a voice like a nightingale, skin like a dove, And the song that she sung it was all about love. I asked her to marry me, marry me, please, But the answer she gave, “My love's drowned in the sea.” I told her I'd gold and I'd silver beside, In a coach and six horses with me she could ride. “No I never will marry nor yet make a wife, I'll stay constant and true all the time I've got life,” She threw out her arms and she took a great leap From the cliffs that were high to the billows so deep, Crying, “The rocks of the ocean shall make me a bed And the shrimps of the sea shall swim over my head.” And now every night at six bells they appear When the moon it is shining, the sky it is clear, These two constant lovers with all their young charms, Rolling over and over in each other's arms. Blow the Wind Southerly - Trad Northumbria Blow the wind southerly, southerly, southerly, Blow the wind south o'er the bonny blue sea; Blow the wind southerly, southerly, southerly, Blow bonny breeze my lover to me. They told me last night there were ships in the offing, And I hurried down to the deep rolling sea; But my eye could not see it, wherever might be it, The bark that is bearing my lover to me. Blow the wind southerly, southerly, southerly, Blow the wind south that my lover may come; Blow the wind southerly, southerly, southerly, Blow bonny breeze and bring him safe home. I stood by the lighthouse the last time we parted, Till darkness came down o'er the deep rolling sea, And no longer I saw the bright bark of my lover. Blow, bonny breeze and bring him to me. Is it not sweet to hear breezes blowing, As lightly they come o'er the deep rolling sea? But sweeter and dearer by far when 'tis bearing The bark of my true love in safety to me.
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about

On March 12th 2020 in Switzerland my prized Michael Grinter flute literally shattered on stage in what was to be my last gig until August 21st 2021.
We left Switzerland quickly before they entered full lockdown and returned home where we entered our own just a few weeks later.

Musicians’ lives, as we knew them at least, ground to a halt. Me and my little family were lucky enough to be living at the time in a small apartment at Lamb’s House in Leith (a beautifully restored former Merchant’s House built in 1610). With the whole place almost entirely to ourselves I decided after a few months of gloom and soul searching to try and look at the experience of isolation differently and started viewing this very unique time in Lamb’s House more as a residency than an incarceration. I recorded regularly over many months in different spaces with different acoustics of wood and stone. All late, late at night when outside noise was minimal and my daughter fast asleep. With my main instrument out of action and no chance of repair until restrictions were lifted, I tried all sorts of flutes in those months. Getting them from auctions and having them worked on, finding out about rarities through friends. Selling some on to buy others and eventually having the opportunity to buy an extremely special Rudall and Rose (the Stradivarius of the flute world if you will!), that is the main instrument on this recording and the inspiration for the first track.

Eventually I ended up with 40+ tracks of solo flute and 20+ flutes in various states. I added harmony using a Greek Bouzouki and with my other hat on as a Sound Designer I added modified flute parts, samples and textures of weather to thicken the real sounds coming from the open windows in the summer months. The editing and mixing process took almost as long as the recording and what you’ll hear are the final results that are at last being released. It’s been a fascinating and at times terrifying process and I can’t wait to share it with you.

credits

released December 7, 2021

Tom Oakes - Old Flutes*, Greek Bouzouki, Sound Design.

Recorded, Produced and Mixed by Tom Oakes in Lambs House, Leith.
Mastered by Sam Proctor at Lismore Mastering.

Flutes*
Rudall and Rose
Eb Hawkes and Son
Nach Meyer

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about

Window Weather Records Edinburgh, UK

Edinburgh based 'not for profit' label focussing on the Hinterlands of Traditional Music, Sound Design and Sonic Art.

Releasing mainly EP's we aim to build a discography based on though diverse linked by threads wether geographic, musical or cultural.

Initially a birthplace to our 'Streams' series of in the moment EP's by Tom Oakes we will be adding new artists and curated collections soon.
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